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Muhammad Asad Ullah has proved to be quite memorable for Sajal Eli this year; He appeared in two very talkative drama serials: Yakin Saifar and O Rangreja, both of the leading entertainment channels Huay TV. Sajal is working fast after breakout in Malkhan of Mehmudabad (a family drama on private TV channel AYY Digital in 2011) and has made a long list of praise on the way, including winning two nominations in the prestigious Lux Style Awards 2018. For Best Actress category and won the Best Female Actress Award at the Huawe Awards, not only once but three times. It is strange to see him on the television screen in tough roles, which defines the power of his sharp little screen, where in real life he is indefinitely sophisticated, kind, submissive and real. Well, in the interview, a lot of actors are in some kind of character, but what I find is that I feel that you will meet at home. He is just as comfortable and very calm because he passes on the soda and asks me to catch immediately. The 24-year-old eyes go from one project to another; Angana is completing her shooting for the period drama serial, Angana (Angana in English) on Hu TV, starring with Raza Mir, Mavro Hoken, Ahsan Khan and Sonya Hussain. As the teaser was released before the courtyard, the actress was fond of the love and praise of the fans of the young actress, sharing her video with the dialogues of love. He laughs with kindness, even if his eyes are full of naughty glow, yet he manipers with a deep reflection or two. "Chummy is bigger than life character, she represents the positivity of firmness, heart and heart breaking, every character is equally important in drama, it usually happens that in a drama there is a lead and story around that special character Every character has its own journey in the courtyard, it is about everyone involved and adheres to many beautiful characters. It makes it interesting that it is a family Focuses on sharing. Real 'drama' is looking at a country's physical and emotional division, "Mustafa written hydrous by Afridi, the court is set to touch the basis of pre-partition era in 1 9 40. Where the audience has already set a Benchmark for a period drama with the tastings broadcast on Huawei in 2010, and Sanam Baloch and Fawad Khan have been shown as heroes. Is there any similarity between the courtyard and the tent? Sajal says, "There is no equality between the two except for the timeline." "Why would we want to repeat the same thing? Even the shots we have taken are very different, you can understand that from teasers," he said.

 First teaser showed some deep chemistry between the characters of Sajal Eli and Ahmed Raza Mir, between Chammy and Jamil, in which Sajal responded, "We have shot a teaser for each character only for each and every other. Together, there are about eight teasers, I never wanted my teaser to come out first, but then the team decided to play with me and the character of Ahad, so here it is. In plain sight that we have still different teasers. "Almost a decade now, when we are looking depicting brightly and characters on our television screens Sajl we relate to our everyday life. "For the last few years, I am putting more stress on being related to the characters playing on the screen. As an independent person, I have a certain set of principles that I follow in my life, which I I teach in my dear mother and environment; I see those principles in a script. "Sajal Eli says. Sajal Eli did a Pakistani film Zindagi Kitni Haseen Oh in 2016 and then with the Bollywood movie, Mother (2017) Siri Devi. So can we expect to take a cinema screen again to take a sizzle? "Yes, there are some things in the pipeline, but the script is the most important thing for me, I will only go when the script I offered is as strong as the characters mentioned in my serial. I do not want to do something conventional - a deeper Rooted, strong character is what I am hoping for, "Sajalasajal presently, for his upcoming drama serial Alif, Hamza Ali Abbasi, Kubra Khan Su Ahsan are shooting with Khan.

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The Pakistani drama refers to the miniseries produced in Pakistan, which has special features which separates it from the regular Western television series or soap opera. Pakistani drama can be established in contemporary time or in historical settings.

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Working for a poison free planet - Vandana Shiva

Food. The word conjures up diverse images but we seem to have forgotten its most important element that our web of life is a food web.

And if you really think about it, that’s how all of nature works. We have created an illusion where we’ve placed man at the top of a pyramid, when in reality we have a circle of life and at the end of it we are merely food for microorganisms.

Food and its quality are the real currency essential for well-being; the well-being of the planet and its people, both as producers and as consumers.

One of the aspects of our so-called rationality is the irrational assumption that we are separate from nature. How much more irrational could we be? That we live outside nature. We are separate from her. We can be her masters and conquerors. And that arrogance of that false rationality has literally brought us to the brink.

Every scientific study is showing us that if we continue on the path we’re on, within a century humanity could absolutely destroy the conditions of life as we know it on this planet.

How we grow our food and how we distribute it is having the single biggest impact on both our planet and social well-being.

Look at the soil. The desertification we’re witnessing now is so intense that the United Nations Intergovernmental Panel on Biodiversity and Ecosystem Services, which is the equivalent of the Intergovernmental Panel on Climate Change, has warned that if we don’t change our agricultural practices, we’ll be uprooting more people from their land and further exacerbating the refugee crisis.

I’ve never been to Europe when it’s so warm at this time of year. Climate change and climate extremes are inextricably linked to how we produce our food.

Food is the first energy, but when we stop producing food in sustainable and ecological ways, we end up resorting to fossil fuel-based chemical inputs. And as small farms disappear, people are in turn substituted by machines and chemicals. We don’t need more instruments in farming. It’s the ultimate human activity of connection with the Earth and it’s the most basic activity.

75 per cent of the chronic diseases we face today globally, come from the food we eat and toxins in our environment

Nowadays, it seems to be taken for granted that progress is linear. Now, of course, everyone is thinking the whole digital world will replace everything. But the digital world is an instrument, it’s a tool; it can’t make anything. It’s not a productive process.

We’ve manipulated nature and exploited her enough. In this moment of crisis we should wake up and shift from arrogance to humility; we should work on giving back instead of extracting more.

This violent system has pushed me towards the path of seeking non-violent systems. We have started to save seeds through the creation of seed banks. I had one simple moral imperative throughout these past years: I have to protect the seed.

A field’s yield can be a toxic nutritionally empty commodity and 75 per cent of the chronic diseases we face today globally, come from the food we eat and toxins in our environment, mainly pesticides and herbicides.

It is time that we shift our focus on rejuvenating local farming to provide health and well-being rather than viewing it merely as a commodity, where small farmers and local agriculture cannot compete.

We have more commodities, but less food. Food is diversity and diverse things grow in diverse places. As agriculture became more industrialised, it became less diverse.

Greed is such a terrible addiction. We have to learn when enough is enough, to know what our limits and that of our planet are. Science is about planet-ary limits and every planetary limit is being violated.

Good science is about working within these limits and producing what we need, and we can do this ecologically – we have the knowledge.

Through the movement I’ve built in India and in Navdanya, we have managed to reverse the migration, because by focusing on biodiversity, small farms get two kinds of resilience: a resilience to the climate and a resilience to a very exploitative and manipulative global market.

New research is showing that when it comes well-being, it is the biodiversity and the care we attach to the soil that we can reap the best results. Traditional sciences, such as ayurveda, have taught us that food and our gut is the central place for health, which is why a diverse diet is imperative for our well-being.

Diversity is a democratic imperative and we need to embrace the diversity of cultures, the diversity of our languages, the diversity of our minds. I think monoculture of the mind is one of the most impoverishing aspects of this irrational rationality. The diversity of the mind is what we have to flower today.

The planet has to be poison-free and we are working together for a biodiverse, organic world so that by the year 2050 we not only have farms and farmers everywhere, but we have good food everywhere.

Vandana Shiva, an Indian scientist and green activist, was in Malta recently to address a food rights’ conference organised by the President’s Foundation for the Well-being of Society.